Saturday, 07 September 2024

Arts & Life

The FOX Network proves ambitious in the competitive TV world by adding new dramas, new comedies, and new unscripted series to its fall lineup, and it has favorites returning, most notably with “The Simpsons” entering Season 36.

The Italian influence arrives with the new medical drama “Doc,” which is based on the globally acclaimed Italian series “DOC – Nelle tue mani,” with a storyline of a doctor surviving being shot in the head and losing his memory of the last twelve years of life.

The American version, with an abbreviated titled of only “Doc,” stars Molly Parker as the hard-charging, brilliant Dr. Amy Larsen, Chief of Internal and Family Medicine at Westside Hospital in Minneapolis.

After a brain injury erases the last eight years of her life, Amy must navigate an unfamiliar world where she has no recollection of patients she has treated, colleagues she’s crossed, the soulmate she divorced, the man she now loves and the tragedy that caused her to push everyone away.

She can only rely on her estranged 17-year-old daughter, whom she remembers as a 9-year-old, and a handful of devoted friends, as she struggles to continue practicing medicine, despite having lost nearly a decade of experience and knowledge.

Denis Leary stars in the new comedy “Going Dutch” which centers on an arrogant, loudmouth U.S. Army Colonel, who after an epically unfiltered rant is reassigned to the Netherlands, where he is punished with a command position at an unimportant base.

After serving with distinction in every war zone of the last three decades, the colonel is now in charge of a base with no guns, no weapons, and no tactical purpose. Instead, it has a Michelin-star level commissary, top-notch bowling alley, and the best (and only) fromagerie in the Army.

Surrounded by a diverse group of underdogs, the colonel tries to reinstall military discipline and professionalism with the help of the base’s previous interim leader, who just happens to be his estranged daughter.

The animated comedy “Universal Basic Guys” centers on two brothers, Mark and Hank Hoagies, who lose their jobs to automation and are given $3,000 a month on a new basic income program.

Now they’re using their free time and free money to find purpose in a world where they’re no longer needed. Maybe they will learn how to code, but I am not sure that’s part of the program.

Any surfer with a taste for big waves or anyone who has ever been to the North Shore on the Hawaiian island of Oahu may appreciate more than most the new pulse-pounding lifeguard drama “Rescue: HI-Surf.”

The series follows the personal and professional lives of the heavy-water lifeguards who patrol and protect the North Shore – the most famous and dangerous stretch of coastline in the world.

Each episode will feature these dedicated, heroic, and adrenaline-seeking first responders saving lives in the difficult and often life-threatening conditions of Hawaii’s Seven Mile Miracle.

Based on the Edgar Award-winning, nine-book “Karl Alberg” series by acclaimed novelist L.R. Wright, “Murder in a Small Town” follows Karl Alberge (Rossif Sutherland), who moves to a quiet coastal town to soothe a psyche that has been battered by big-city police work.

But this gentle paradise has more than its share of secrets, and Karl will need to call upon all the skills that made him a world-class detective in solving the murders that, even in this seemingly idyllic setting, continue to wash up on his shore.

Kristin Kreuk (“Smallville”) stars as Cassandra, a local librarian who becomes Alberg’s muse, foil, and romantic interest. Special guest stars James Cromwell, Stana Katic, and Paula Patton, are featured.

New unscripted programming includes “Extracted,” a groundbreaking new survival competition, in which, for the first time ever, the contestants are not in charge of their destiny. That’s all we know at this point, but we need to know more about why it is considered a novel concept.

Inspired by the beloved, award-winning 1997 film, “The Real Full Monty” is an all-new two-hour special in which a daring group of male celebrity volunteers bare all to raise awareness for prostate and testicular cancer testing and research.

The event features Anthony Anderson, Taye Diggs, the NFL’s Chris Jones, Tyler Posey, Bruno Tonioli and James Van Der Beek. This special is based on the international unscripted format with hit versions in the U.K., France, and The Netherlands.

During the special, the celebrity talent will train and rehearse for the most revealing performance of their careers, culminating with a big strip-tease dance, choreographed by Emmy Award-winner Mandy Moore, in front of a live audience.

Leading up to the final disrobing, the men will push their limits of comfortability, modesty, and brotherhood with a series of experiences, both private and public, designed to build confidence and remove them far from their comfort zone and strengthen their bond as a group.

Along the way, each of the celebrities will share their personal stories of how cancer has impacted their lives.

Tim Riley writes film and television reviews for Lake County News.




‘DESPICABLE ME 4’ RATED PG

As summer slips away, there seems to have been too few movies that are geared to a family-friendly audience.

“Inside Out 2” expertly filled the bill, and maybe there was another Disney release I don’t remember. Whatever the case, not much out there for kids.

It’s time to take a look at “Despicable Me 4,” the newest installment in a franchise that delights youngsters not only with the erstwhile criminal Gru (voiced by Steve Carell) but also the adorably mischievous yellow Minions, babbling their usual incomprehensible gibberish.

Somewhere, Gru has turned the corner from supervillain to a family man married to Lily (Kristen Wiig) with a trio of adopted daughters, Margo (Miranda Cosgrove), Edith (Dana Gaier), and Agnes (Madison Polan).

While Gru’s relationship with his wife and the girls has never been stronger, the arrival of the newest member of the family with Gru Jr. has proved to be challenging, as the baby is determined to torment his father.

The family dynamic is upended not just with the arrival of a new baby, but Gru is now a dedicated Anti-Villain League (AVL) agent working undercover in an organization run by Silas Ramsbottom (Steve Coogan).

Work takes Gru on an assignment to a high school reunion for the purpose of arresting his former classmate and old rival Maxime Le Mal (Will Ferrell), who has turned himself into a hybrid creature like Jeff Goldblum’s in “The Fly.”

Vowing revenge for his arrest and getting locked up, his subsequent prison escape that is aided and abetted by his femme fatale girlfriend Valentina (Sofia Vergara) and a platoon of cockroaches poses peril for the AVL agent.

The palpable threat to Gru results in having his entire family being put into witness protection in an upscale suburban community where Gru feels out of place and unable to connect with snooty neighbor Perry (Stephen Colbert).

Going incognito, Gru assumes the identity of Chet Cunningham, a solar panel salesman. He’s turned into a boring, somewhat nerd to keep his family safe. Maybe Gru is not so despicable anymore, losing a part of his personality that carried him in previous chapters.

With his new identity not working out that well for him, Gru finds himself blackmailed by his aloof neighbor’s teenage daughter Poppy (Joey King), who insists on his guidance to pull off a heist worthy of entrée into the ranks of supervillains.

Humor is predictable but for the most part enjoyable. Amusingly, Gru grumbles about many different types of milk like “almond milk, soy milk, oat milk, goat milk, chocolate milk, half and half, powdered, and milk of magnesia.”

Lucy asks, “What about regular milk?” to which Gru replies, “They don’t make it anymore.” He may have left out other plant-based products like coconut or rice milk, but the absurdity of all these varieties induces at least a chuckle maybe lost on the younger viewers.

For comic relief, the small, yellow pill-shaped creatures known as the Minions are dependable for some laughs even if their schtick has become overly familiar. But kids still love them, and at a family cinematic outing that’s really all that matters.

‘WE WILL DANCE AGAIN’ ON PARAMOUNT+

Paramount+ announced the award-winning film “We Will Dance Again,” a shocking documentary about the October 7th Hamas terror attack on the international Nova Music Festival, will have a two-day theatrical run nationwide before running on its streaming platform.

The Nova Music Festival was supposed to be a celebration of life, love and music for thousands of young people but became one of the first targets when Hamas launched the deadliest terror attack in Israel’s history.

In “We Will Dance Again” more than a dozen young festival-goers tell gripping stories of how each of them managed to survive from one minute to the next. The eyewitness accounts are weaved together with footage they filmed themselves and footage recovered from cameras worn by Hamas.

The film will open in Los Angeles for a week-long Oscar qualifying run beginning on August 23rd, ahead of the advanced event screenings on Friday, August 29th and Sunday, September 1st in select theaters across the country.

The president of the studio releasing the film notes that the “human cost of the Hamas attack in Israel and the war that followed in Gaza has been catastrophic for both Israelis and Palestinians,” and it is a “painful story of unfathomable tragedy, but also of bravery, sacrifice, and heroism.”

Aside from the documentary, the traveling “Nova Exhibition” is coming to Los Angeles, after first a 10-week run in Tel Aviv, followed by two months on display in New York City.

The exhibit features items salvaged from the festival grounds, including scorched cars, bullet-riddled bathroom stalls, and personal belongings such as tents and lawn chairs left behind.

Visitors will be invited to join a plea for the safe return of the hostages who are still held in captivity by Hamas terrorists. Nova survivors of the brutal attack will be attending as witnesses to the tragedy they experienced on that day.

Tim Riley writes film and television reviews for Lake County News.



‘DEADPOOL & WOLVERINE’ RATED R

“Make Superhero Movies Fun Again” could be the mantra for “Deadpool & Wolverine,” an R-rated action comedy that leans heavily into the rivalry of two superheroes and their unabashed proclivity for bloody fights and hurling profanity-laced insults.

The long-awaited return of a “Deadpool” film is a saving grace for the Marvel Cinematic Universe, which has received disappointing box office numbers for recent films, including the overly hyped “Captain Marvel.”

But just when it feels like the superhero genre has been exhausted, along comes Ryan Reynolds and Hugh Jackman to deliver a wallop of crowd-pleasing excitement filled with giddy, humorous irreverence and blockbuster action.

Wade Wilson (Ryan Reynolds), wearing a really bad toupee, has hung up his Deadpool costume to sell used cars. His trademark red ensemble has been retired since he failed to be accepted into the Avengers.

Wade’s ordinary civilian life takes a wild turn when the Time Variance Authority, under the leadership of the officious Mr. Paradox (Matthew Macfadyen), sucks him into a mission. Deadpool’s universe faces extinction, so it is time to suit up again.

An existential threat looms over Deadpool and his friends, including estranged girlfriend Vanessa (Morena Baccarin) and his unsighted roommate Blind Al (Leslie Uggams). This is all the more reason for Deadpool to trade hawking autos to packing his swords once more.

There is not much point in trying to explain the apocalyptic threat that kills timelines. Just know that a place known as The Void, set in a barren landscape reminiscent of “Mad Max,” is run by the villainous Cassandra (Emma Corwin), who looks like an emaciated model minus the hair.

While Wade may not be that thrilled to enter the superhero arena, Wolverine (Hugh Jackman), deep-sixed in “Logan,” is resurrected, so to speak, and still much in need of anger management.

Seemingly endless fight scenes between Deadpool and Wolverine are obligatory until they finally team up against a common adversary. A priceless line is when Deadpool says that Disney is going to make Wolverine do this role until he’s ninety.

At least for now, Deadpool and Wolverine are such a great combo that bringing them back for another superhero adventure would be more welcome than retooling other Marvel films.

At times, the plot gets a little messy or a bit convoluted, but the comical mischief comes so fast and furious that it would not be surprising that one would want a repeat viewing just to soak in all the wackiness.

“Deadpool & Wolverine” is the best blockbuster movie to come along in a long time. The wisecracks and comic banter are supreme, thanks to great delivery. The action sequences pack a real punch.

The chemistry between Reynolds and Jackman is first-rate, as they know exactly what works best for their respective roles. On top of that, Reynolds is brilliant for breaking the fourth wall when his quips are directed at the audience.

Keep in mind the excess of profanity, so this is not a family film. That said, “Deadpool & Wolverine” it’s awfully damn funny even if the dialogue is not for everyone. Considering Reynolds’ shtick in the two previous franchise installments, all that can be said is what did you expect?

US OPEN TENNIS TOURNAMENT FAN WEEK

While the actual tennis matches for the US Open Tennis Tournament get underway on Monday, Aug. 26, fans get to enjoy a host of free admission events on the grounds beginning the week before.

Beginning on Monday, Aug. 19, both the main venue of Arthur Ashe Stadium and the Grandstand offer the opportunity to watch favorite players and biggest stars practice throughout Fan Week from 10 a.m. to 5 p.m. as they gear up for the Main Draw.

On Courts 4 to 17, the US Open Qualifying Tournament will feature 128 men and 128 women competing for a spot in the Main Draw. Witness top tennis players in the world battle for a place in the Main Draw.

Wednesday night, Aug. 21, a ticket will be required for the “Stars of the Open” at Arthur Ashe Stadium. This tennis exhibition will feature an all-star lineup of top players and US Open legends.

The event is expected to showcase the talents of Novak Djokovic, John McEnroe, Carlos Alcaraz, Andre Agassi, Venus Williams, Gabriela Wozniacki, Andy Roddick, Frances Tiafoe, and more. Participants are subject to change.

All day and every day, you can enjoy the variety of delicious food offerings from numerous restaurants that surpass anything you would ever find at traditional sports venues like football stadiums, baseball parks and hockey arenas.

The US Open American Express Fan Experience offers an array of thrilling activities for fans of all ages. Be sure to visit sponsor booths on the grounds for fun games and giveaways.

There is so much more to learn about what to expect during Fan Week that it would be best to search for “US Open Tennis Fan Week 2024” on your browser, and then look into the Fan Access Pass Experience.

Tim Riley writes film and television reviews for Lake County News.

ABC network lays claim to the longest-running medical drama ever with “Grey’s Anatomy,” which will mark its 21st season this fall and maintains its hold on Thursday nights, except it will be shifting back to the 10 p.m. time slot on the West coast.

This move makes room for the new medical drama on the block, Ryan Murphy’s “Doctor Odyssey,” which stars Joshua Jackson as a doctor on board a luxury cruise ship where the staff works hard and plays harder.

Jackson’s Max and his small but mighty medical team navigate unique medical crises and each other, miles from shore in what ABC bills as a “high-octane procedural.”

The series, also starring Don Johnson, will air Thursdays an hour earlier than “Grey’s Anatomy,” right after the first responder hit “9-1-1,” which was also co-created by Ryan Murphy.

ABC’s other new scripted drama this fall is “High Potential,” a crime drama starring “It’s Always Sunny in Philadelphia’s” Kaitlin Olson as she teams up with a by-the-books detective to crack cases.

Based on a popular French series, “High Potential” follows Morgan (Olson), a single mom with three kids and an exceptional mind, who helps solve an unsolvable crime when she rearranges some evidence during her shift as a cleaner for the police department.

When the police discover she has a knack for putting things in order because of her high intellectual potential, she is brought on as a consultant to work with seasoned detective Karadec (Daniel Sunjata), and together they form an unusual and unstoppable team.

On the unscripted front, the network is handing out a rose (and hopefully some comfortable shoes) to “The Golden Bachelorette,” which, like “The Golden Bachelor” before it, will follow contestants in their golden years as they search for a second chance at love.

Fan-favorite Joan Vassos will be the new Golden Bachelorette, and the network is extending the episodes by 30 minutes compared to “The Golden Bachelor’s” hourlong episodes.

In between the new shows, “Abbott Elementary” is holding down the fort for ABC’s comedies as the only sitcom on the fall schedule.

The unscripted staple “America’s Funniest Home Videos” returns in the fall to celebrate its monumental 35th season, along with “Shark Tank” as well as popular films under “The Wonderful World of Disney” umbrella.

“The Conners” will return at midseason for its farewell outing. Dramas “The Rookie” and “Will Trent” are also being held for midseason, along with reality favorites like “American Idol” and “The Bachelor.”



‘KILLER LIES: CHASING A TRUE CRIME CON MAN’ ON NAT GEO

National Geographic expects its summer marquee true-crime series “Killer Lies: Chasing a True Crime Con Man,” premiering on August 28th on Nat Geo and streaming the next day on Hulu, to heat up their storytelling.

Based on Lauren Collins’ 2002 “New Yorker” reveal of a scandal in “Murder, He Wrote,” the Nat Geo special expands on Collins’ investigation into the rise and fall of a provocative French serial killer expert, Stephane Bourgoin, who became famous for jailhouse interviews with serial killers.

Bourgoin’s extraordinary resume of these interviews with killers, as well as his personality quirks, resulted in morbid encounters. Bourgoin cited the violent and horrifying 1975 slaying of his wife by a serial killer as motivation for his relentless interest in the minds of murderers.

After 40 years and 40 books, Bourgoin becomes the target of online sleuths, known as 4eme Oeil Corporation (4th Eye), who try to untangle his web of lies and unearth the truth.

The three-part series, directed by Emmy-nominated filmmaker Ben Selkow, fully reveals the online group’s dogged investigation and the shocking extent of Bourgoin’s deception.

The series features exclusive access to 4th Eye members speaking for the first time on camera in a documentary, along with material from Bourgoin’s own films and past television appearances and forensically reexamined archival footage.

Viewers will hear from those closest to Bourgoin for an intimate peak inside a pathological liar’s mind as well as hear from Bourgoin himself in his most comprehensive sit-down interview discussing his motives for fabricating such grandiose falsehoods.

The premiere episode, “Murder He Wrote,” delves into the lucrative true-crime industry, but the 4th Eye, a collective of vigilante online sleuths, discover Bourgoin’s career was based on a series of dark lies.

“The Eye is Always Watching” episode’s hunt for the truth reveals something far darker lies beneath the surface of Bourgoin’s fame, while “The Reckoning” episode continues investigating many alarming unanswered questions.

In the end, we hear from the victims in this story and delve into the larger themes and questions raised about our insatiable appetite for true crime and the strange compulsions of the human psyche.

“Killer Lies” is an exploration of human nature and cultural psychology and a commentary on the global true-crime industry. Nat Geo contends this is a true-crime story within a true-crime story.

Ultimately, it was avid true-crime fans who brought down Bourgoin, launching their own investigation of the master who had taught them not to underestimate humanity’s capacity for deceit and evil.

Tim Riley writes film and television reviews for Lake County News.

Gary Miller, left, and John Smiraglia play the piccolo trumpet in several selections in the Lake County Symphony Association Summer Chamber Concert. Photo by Greg Bushta.

LAKE COUNTY, Calif. — The Lake County Symphony Chamber Concert is scheduled for one performance only at 2 p.m., Aug. 18, at the Soper Reese Theatre in Lakeport.

There will be no discounted rehearsal performance for this concert.

LCSA Musical Director John Parkinson will conduct several pieces by featured composers Jean-Joseph Mouret, George Frederick Handel, Luigi Boccherini, William Boyce and Antonio Vivaldi.

Starting off the concert is French composer Jean-Joseph Mouret’s “Rondeau” from his “Symphonie de Fanfares.”

Mouret (1682-1738) was one of the leading figures of Baroque music in France during his lifetime. These days most of his works are rarely performed, but many will recognize this piece as the signature tune of PBS’ Masterpiece Theatre.

Next is “Entrance of the Queen of Sheba” from the “Solomon” oratorio by George Frederick Handel (1685-1759). It contains a short and lively passage for two oboes and strings in Act Three, known as the “Arrival of the Queen of Sheba.” This section was played at the 2012 London Olympics and became famous outside of the complete work.

Italian composer/cellist of the Classical Era, Luigi Boccherini (1743-1805) is featured next with his “Overture in D Major.”

Boccherini wrote a large amount of chamber music, including over 100 string quintets which featured cellos along with violins and violas and several guitar quintets. Boccherini’s orchestral music includes about 30 symphonies and 12 virtuoso cello concertos.

The next piece is “Symphony No. 5” by English composer and organist, William Boyce (1711-1789). Boyce (like Beethoven) became deaf during his life but continued to compose music.

Music by Vivaldi (1678-1741) comes next. “Concerto for Two Trumpets” is the only known Vivaldi concerto for trumpet and requires players with a high level of proficiency.

It shouldn’t be a problem for Gary Miller and John Smiraglia, two music pros who have about 100 years of experience between them. The pair can also handle the more difficult “piccolo” trumpet featured in this piece. The piccolo trumpet is about half the size of a regular trumpet and has a pitch that is an octave higher. “It also has four valves instead of the usual three,” adds Smiraglia, “so it’s definitely more complicated.”

Next in the program is Handel’s “Water Music” (Concerto Grosso No. 25) a collection of orchestral movements, often published as three suites.

It premiered on July 17, 1717, in response to King George I’s request for a concert on the River Thames. Handel's Water Music was performed more than three times on the River Thames for King George I and his guests.

It is said the compositions spurred reconciliation between Handel and the king, supposedly annoyed by the composer's abandonment of his Hanover post several years earlier.

There is no charge, as usual, for those age 18 and under to attend this concert. All other seats are $15 — LCSA member discounts will not apply.

Tickets may be purchased online at the Soper Reese website and will also be available 30 minutes prior to the performance at the Soper Reese box office at 275 S. Main St. in Lakeport.

This concert is part of the Symphony Season Ticket Package. However, please note this is an open seating event.

Debra Fredrickson writes for the Lake County Symphony Association.




‘TWISTERS’ RATED PG-13

The premise of a disaster movie with an adrenaline-pumping thrill ride of storm chasers bravely venturing into the eye of a tornado turned 1996’s “Twister” into a spectacle of special effects.

“Twisters” basically follows the same path across the Oklahoma plains. In the original, Bill Paxton and Helen Hunt are two storm chasers on the brink of divorce. Now we get Daisy Edgar-Jones’ Kate Carter, a former chaser, and Glen Powell’s reckless adventure-seeking cowboy Tyler Owens.

Her storm-chasing days behind her after a devastating encounter with a tornado during her college years resulted in the death of friends, Kate now she studies storm patterns on computer screens in the safe confines of a weather service in New York City.

Kate is lured back to Oklahoma by her surviving friend Javi (Anthony Ramos) to test a groundbreaking new portable radar system that can better study how tornadoes form and allow for the release of polymers into the funnel’s eye to diminish its power.

Kate must also overcome her reluctance to return home where her mother Cathy (Maura Tierney) still lives on the family’s rural homestead, a place that holds painful memories of lost loved ones.

While Javi’s enterprise is funded in part by a dubious real estate developer with his eye of snatching up distressed properties, he’s not alone in the business of chasing storms for fame or profit.

Tyler Owens, a social media star who calls himself a “tornado wrangler,” has a huge following if for no better reason that he’s a charming hustler and reckless thrill-seeker who once got his kicks as a rodeo cowboy.

As the story moves along, it seems hardly a day goes by before another tornado touches down to disrupt a street festival, a rodeo, an oil refinery, and an entire town, with explosive results and widespread destruction.

The storm chasers are evidently fearless in the face of extreme danger. Tyler’s ride-along nervous British journalist Ben (Harry Hadden-Paton) would appear to be the surrogate who represents the audience’s vicarious fear of the monster in the sky.

Above all, “Twisters” is truly a wondrous exploration of a wild subculture of exhilarating storm-chasing, populated by a mix of professional meteorologists, hardcore weather enthusiasts and thrill-seeking adventurers.

For most of us, living outside of America’s “tornado alley” means that a film like “Twisters,” as awesome it is with its rousing depiction of a tornado’s destructive power, is as close as we want to get to the terrifying action.



‘MY SPY: THE ETERNAL CITY’ RATED PG-13

Only four years ago, “My Spy” featured the burly Dave Bautista, former professional wrestler, in the role of hardened CIA operative JJ tangling with a precocious ten-year-old girl during his undercover role of surveilling her family.

Now along comes the sequel, “My Spy: The Eternal City,” streaming on Prime Video, and JJ remains at the mercy of the now-young teen Sophie (Chloe Coleman) during a trip of her high school peers to Italy.

But first, the film opens with a scene that emulates the prologue to either a “Mission Impossible” or “James Bond” film. Bodyguard to teen idol Ryan (Bill Barratt) on a private, JJ is attacked by a flight attendant before a bomb blows out a window and everyone falls from the sky.

Sophie comes to the rescue in a jetpack with parachute, or this just a dream? Whatever the case, now married to Sophie’s mom, JJ is a desk jockey at the CIA and filling in as the spouse who bakes scones, forsaking field duty, much to the chagrin of his agency boss David Kim (Ken Jeong).

In his stepdad role, JJ presses Sophie to keep up her physical training so that she can become an agent, which may have been her dream at one time, but she also claims wanting once to be Dora the Explorer.

As part of his domestication and hoping to bond with s disgruntled stepdaughter, JJ volunteers for chaperone duty for Sophie’s high school choir’s trip that includes performing for the Pope at the Vatican during a G7 summit.

Of course, there’s more to the trip than wrangling juveniles who want nothing more than to break loose from the nightly curfew. For one thing, Sophie is now more interested in boys, while oblivious to her friend Collin (Taeho K) being smitten.

Some bad guys, most notably the requisite villain Crane (Flula Borg), have a nefarious plan to blow up the Vatican with nuclear weapons unless the G7 nations pony up millions in ransom, which seems reminiscent of the nuclear extortion plot in the James Bond film “Thunderball.”

While serviceable in some regards as a weird amalgam of teen comedy, spy film and action thriller, the storyline is so scattershot that it doesn’t measure up to the same charm of the original.

One might get the idea that “My Spy: The Eternal City” might be trying a little too hard, amidst the car chases, fight scenes and more adult dialogue, to be more mature than what would be expected for the younger targeted audience of “My Spy.”

Tim Riley writes film and television reviews for Lake County News.

Upcoming Calendar

9Sep
10Sep
09.10.2024 10:00 am - 1:00 pm
Farmers' Market at Library Park
10Sep
09.10.2024 3:00 pm - 5:30 pm
City of Clearlake community open house
14Sep
14Sep
09.14.2024 10:00 am - 1:00 pm
Farmers' Market at the Mercantile
17Sep
09.17.2024 10:00 am - 1:00 pm
Farmers' Market at Library Park
21Sep
09.21.2024 10:00 am - 1:00 pm
Farmers' Market at the Mercantile
21Sep
09.21.2024 4:00 pm - 10:00 pm
Passion Play fundraiser
21Sep
09.21.2024 4:30 pm - 10:00 pm
Lake County Wine Auction

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